Japanese Title: Kamisama Hajimemashita
Author: Julietta Suzuki
English Publisher: Viz Media
Manga?: Yes.
Novels?: No.
Anime?: No.
Volumes out in English: 8
Wow, it's been a looong time since I posted anything here. I guess I could talk about my work, my life and why I've let this blog lie fallow for so long, but I think I'd rather just jump back in with a new 'femdom manga' spotlight.
Like many a manga hero/heroine, Kamisama Kiss's Nanami Momozoni has a useless parental unit (in this case, her father) whose bad habits with money eventually lead her to become broke, homeless and alone. As we all know, broke, homeless and alone is an excellent jumping-off point for the hero/heroine in a shoujo or shounen manga. (See: Hayate the Combat Butler, Fruits Basket, Ultimate Venus and oh so many more . . . ) Sometimes, being broke, homeless and alone means that a manga protagonist will stumble their way into working as a maid/butler/housekeeper/groundskeeper in a live-in job at a new home, which is usually occupied by attractive members of the opposite sex. At other times, being broke, homeless and alone will directly precede the hero or heroine's discovery that they are the long-lost heir or some other form of successor to a new home, also frequently populated by attractive members of the opposite sex.
Summary (minor SPOILERS for Volume I): So, broke and homeless Nanami, who is all alone, is busy being broke and homeless and alone when she comes across a strange man who has been treed by a small dog. Nanami 'rescues' said man from said dog. After a short conversation, the man kisses Nanami on the forehead and tells her he is giving her his home. Our heroine thinks this is weird, but takes him up on it, as then at least she will no longer be homeless and alone (she will still be broke, but hey, you can't have everything). When she gets to her new home, she finds out that it is a shrine and that she is the new god of the shrine. She also meets Tomoe, the attractive-member-of-the-opposite-sex who will become her fox-spirit shinshi (meaning, in this manga at least, her spirit-beast servant). Tomoe is kind of a jerk and Nanami is kind of a ditz (this is shoujo manga, and it would honestly be more noteworthy if Tomoe were nice and Nanami were competent), but as the manga progresses, they slowly develop feelings for one another. One at a time, other attractive-members-of-the-opposite-sex start cropping up, giving the manga that "harem" feel we all know and love.
This goes on the femdom list, obviously, on account of the "shinshi contract" that Nanami enters into with Tomoe, which means that, not only is he bound to serve her, but he is magically bound to obey any command she gives him.
Nanami's reaction upon learning that Tomoe, who is kind of a jerk, will be loyal to her if she enters into the contract (Volume I, Chapter 2, page 64):
Nanami's reaction upon learning that Tomoe, who is kind of a jerk, is magically bound to obey her (Volume I, Chapter 5, page 144):
Nanami's not going to be breaking the shoujo manga heroine mold anytime soon, but I kind of love her for the two moments illustrated above. They're small, but they're important to me as a reader simply because it's rare to see a shoujo manga heroine express desire for any kind of power. In a lot of what I describe as 'femdom' manga and anime (not that there is all that much of it around to begin with), heroines luck into or back into power. They don't get it because they want it; it's just forced upon them. Because these characters are 'good' girls, and in many cases 'good' is expanded to mean 'passive', especially when we are talking about women of any age. (While this equivalence may be more prevalent in Japanese media, it's certainly to be found in American-made products as well.) It's refreshing to see Nanami, who is positively portrayed, gleefully anticipate having and using power, even if only for a few moments.
Of course, whatever authority Nanami has is largely subverted by the fact that Tomoe, who is kind of a jerk, spends a good portion of the series 'training' his master to become a better god, thus flipping the female-dominated master/servant relationship and turning it into a male-dominated teacher/student relationship, which is a pretty common trick for shoujo manga to play. Still, Nanami manages to retain some authority when it counts--in spite of her shinshi's sadistic streak--and she frequently manages to get her own way. This sometimes leads to her getting into trouble and realizing that she should have listened to the male lead, but again, this is shoujo manga. These things happen.
In many ways, Kamisama Kiss is a paint-by-numbers brand of shoujo title. The main characters, though ultimately sympathetic, are somewhat annoying and the supporting cast members (with one or two exceptions) are not particularly memorable. The art is pretty (and almost unbearably cute at times) and it does what it is supposed to do, but it rarely goes beyond that.
I love this series anyway. I really, really enjoy reading Kamisama Kiss. (So much so that when I cannot find the latest volume on the shelf at my local bookstore, I actually ask for it by name at the customer service desk. I know that doesn't sound like much, but it takes me a certain amount of courage to admit to a fellow adult that I want to read something with "Kiss" in the title. The cover art and graphics are usually in pastel tones, too . . . ) It's a cute, frivolous, wish-fulfillment title, with some adventure, some magic and lots of pretty animal-boys for the heterosexual preteen/early teen girl gaze (because they deserve eye-candy too!). Kamisama Kiss doesn't have a lot of surprises or even a lot of plot, but it makes for a fun, relaxing break from reality. And sometimes that's all you need.
